Disclaimer

Scholarly Positions

ReadingDante.com presents scholarly interpretations of Dante’s Divine Comedy as positions held by named critics and traditions — not as established facts. Where we summarise a camp’s argument, we aim to state it with its strongest evidence. Where critics disagree, we say so. If we have misrepresented a scholarly position, please contact us with a correction.

AI-Assisted Content

Some content on this site is generated or synthesised with the assistance of large language models (Claude, GPT). Scene annotations, historical commentary sections, and narration are AI-assisted, drawing on public domain sources and verified scholarly traditions. Images are generated by GPT Image 1. All AI-generated content is reviewed editorially before publication, but we do not claim it is free of error. If you find a factual error or a misattributed scholarly claim, please let us know.

Sources and Copyright

The Italian text of the Divine Comedy used on this site is drawn from pre-1929 public domain editions. Medieval commentaries are cited from their public domain editions (Benvenuto da Imola from the Lacaita 1887 edition; other sources similarly noted). We do not reproduce copyrighted critical editions. Where we draw on modern scholarship, we cite the critic and work by name.

Academic Affiliation

ReadingDante.com is an independent project. It is not affiliated with any university, academic institution, or official Dante organisation. Nothing published here should be cited as academic authority.

Errors and Corrections

We aim for accuracy and neutrality. We will not always achieve both. Corrections are welcomed and, when substantiated, will be made promptly with a note in the relevant post.