The Exile Foretold — Inferno, Canto 10

The Exile Foretold  Inferno 10

Farinata has not moved while Cavalcante rose and fell beside him, and now he picks up the quarrel exactly where it broke off: the art of returning from exile, he tells Dante, is one the pilgrim will soon learn the weight of; then, after a sigh and a defence of the day he saved Florence, … Read more

Cavalcante de’ Cavalcanti — Inferno, Canto 10

Cavalcante de Cavalcanti  Inferno 10

Halfway through Dante’s quarrel with Farinata, a second shade rises from the same open tomb, visible only to the chin, looks past the pilgrim for someone who is not there, and asks in tears where his son is; the son is Guido Cavalcanti, Dante’s closest friend in youth and a poet in his own right, … Read more

Farinata degli Uberti — Inferno, Canto 10

Farinata degli Uberti  Inferno 10

Inside the walls of Dis the travellers take a narrow path between the rampart and the open tombs, and Dante, who has been holding a question since the circle of the gluttons, gets his answer before he can ask it: a voice comes out of a burning sarcophagus, places him by his Florentine accent, and … Read more

Inside Dis: The Burning Tombs — Inferno, Canto 9

Inside Dis: The Burning Tombs  Inferno 9

The gate that needed a heavenly messenger to open it now stands wide, and the two travellers walk through without a fight; what is waiting inside the walls of Dis is not a battle but a cemetery — a great plain scored with open stone coffins, laid out like the Roman burial fields at Arles … Read more

Ciacco Sits Up in the Rain — Inferno, Canto 6

Ciacco Sits Up in the Rain  Inferno 6

Under a rain that beats the shades flat, the two travellers walk across bodies that are not bodies, and out of the whole prone field one soul hoists itself upright and demands to be recognised — and this glutton, whose sin never comes up again after four lines, is the mouth Dante chooses for the … Read more

Farinata degli Uberti: The Heretic Who Refused to Bow

Farinata degli Uberti rising from his tomb in Dantes Inferno Canto X, proud and contemptuous

There are many memorable encounters in the Inferno, but few are as electrically charged as the moment in Canto X when a figure rises from a burning tomb to challenge Dante directly. He doesn’t ask for mercy. No weeping, no begging. He rises chest and brow erect — diritto s’ergea col petto e con la … Read more

Guelph vs. Ghibelline: A Free Crash Course in the Political War Behind the Commedia

Guelph vs. Ghibelline: A Free Crash Course in the Political War Behind the Commedia

Here’s a secret about Dante’s Commedia: half the people he torments in Hell or praises in Paradise are there because of a political war most English readers have never heard of. Understanding Guelphs versus Ghibellines unlocks dozens of passages that otherwise feel baffling. This wasn’t ancient history to Dante—it was his life. It destroyed his … Read more