Phlegyas and the Swift Boat — Inferno, Canto 8

Phlegyas and the Swift Boat  Inferno 8

A canto that begins by going backwards — the narrator says «Io dico, seguitando» and rewinds behind the end of the previous canto to a moment when two small flames were being set on the tower’s summit and a third was answering from a distance the eye could barely hold — establishes before anything at … Read more

The Styx and the Gurgled Hymn — Inferno, Canto 7

The Styx and the Gurgled Hymn  Inferno 7

Virgil looks up at stars Dante cannot see, announces that the night is turning and that lingering is forbidden, and takes his pupil across the fourth circle to a boiling spring that has cut its own channel down into the dark; they follow the water, which is «buia assai più che persa» (103), until it … Read more

Fortune, the Blessed Intelligence — Inferno, Canto 7

Fortune, the Blessed Intelligence  Inferno 7

Still standing at the edge of the fourth circle, where hoarders and squanderers shove their weights at each other and will never be recognised again, the pilgrim asks one short question about a word his guide had let fall — this fortune, what is she, who holds the world’s goods in her claws? — and … Read more

Plutus and the Rolling Weights — Inferno, Canto 7

Plutus and the Rolling Weights  Inferno 7

A guardian opens the canto with five words that no reader in seven hundred years has been able to construe, Virgil answers not the sense but the tone — quiet, cursed wolf, eat yourself with your own rage — and the creature collapses like a sail when the mast snaps; and beyond him lies the … Read more

What the Trumpet Will Restore — Inferno, Canto 6

What the Trumpet Will Restore  Inferno 6

The Florentine who has just finished prophesying the ruin of his city crosses his eyes, drops his head and sinks back into the slush with the other blind souls, and Virgil — who has barely spoken for a hundred lines — chooses that moment to deliver the coldest piece of information in the third circle: … Read more

Ciacco Sits Up in the Rain — Inferno, Canto 6

Ciacco Sits Up in the Rain  Inferno 6

Under a rain that beats the shades flat, the two travellers walk across bodies that are not bodies, and out of the whole prone field one soul hoists itself upright and demands to be recognised — and this glutton, whose sin never comes up again after four lines, is the mouth Dante chooses for the … Read more

Cerberus and the Third Circle — Inferno, Canto 6

Cerberus and the Third Circle  Inferno 6

He comes back to himself already somewhere else — the poem never shows the descent — and what greets the returning mind is not a soul but a climate: eternal, cursed, cold, heavy rain, hail and dirty snow tipping through black air onto ground that stinks, and only after fifteen lines of weather do the … Read more

Francesca da Rimini — Inferno, Canto 5

Francesca da Rimini  Inferno 5

Out of a storm full of the anonymous dead, Dante picks two who are travelling together and calls them over — and what comes back is the most persuasive speech in Hell: a woman who never once says she chose anything, who assigns the blame in turn to Love, to a book, to the man … Read more

Tempest of the Lustful — Inferno, Canto 5

Tempest of the Lustful  Inferno 5

Past the judge, the second circle announces itself first as noise — wailing that arrives before anything is visible — and then as a wind that never stops, a black storm carrying the souls of the lustful in flocks the way winter carries starlings; and while Dante watches, Virgil points into the gale and names … Read more

The Judge of the Damned — Inferno, Canto 5

The Judge of the Damned  Inferno 5

One step down from Limbo’s quiet, in a tighter ring holding louder pain, Dante meets the machine that sorts all of Hell: Minos — the ancient judge of the dead, reimagined with a snarl and an enormous coiling tail — before whom every damned soul confesses everything unprompted and is flung to its circle; and … Read more